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Second movie is The Bible... In The Beginning, (number 111 picked by[profile] black_olives_11 )

*

The Bible... In The Beginning
, 1966. Directed by John Huston. 20th Century Fox. Starring: A ton of people.

There are two reasons that I own The Bible and neither of them are Christianity. They are two simple reasons which should not require explanation: PETER O'TOOLE and Ava Gardner.

The film covers the first 22 books of Genesis, and I could go and get my dad's school Bible (authorised! for Catholics!) so I can make sure they're doing it right but... I'm not going to.

The Creation is covered by a ten minute series of scenes as John Huston himself narrates. Lots of stars, gushing water, running animals and - finally - a blond, blue eyed man called Adam.

Now, it may be that I've listened to Old Harry's Game too much but... I simply don't buy the idea of Adam and Eve necessarily being blond and blue eyed and speaking in (possibly overdubbed) English accents.

Huston's narration continues, and to be honest I don't mind; lovely speaking voice the man had. Lots of Sweeping Strings and Vocal Choir music.

Of course, Adam and Eve are naked but this is 1966 and Hollywood so you don't see anything. Probably just as well. I mean, the blue penis in Watchmen caused enough of a stir this year.

So far, so ponderous. I can't think of any funny religious films until Life of Brian right now. I wonder what makes people so unwilling to take the piss out of religion? Oh, that's right, absolute fear. Not necessarily fear of God but of the likes of the Legion of Decency.

Check out the list of films condemned by the Legion. It's a bit like Nixon's Enemies List, where it's almost a list of recommendation for everyone else. Paul Newman said being on Nixon's Enemies List was one of his greatest achievements.

So I'm 22 minutes into a 174 minute film and Adam and Eve are only now talking about the Tree You're Not Supposed To Eat From. Eve, of course, as history tells it, the one who kicks it off and to be honest, when a tree is called The Tree of Knowledge I think I'd be willing to have a go, because knowledge is the one truly indispensible thing in humanity's existence.

Lots of shots of how pretty Eden is, but as a person who's been to the Lakes of Killarney I am quite unimpressed. It's basically a meadow with a stream and some animals, including Shadowfax.

And here we are, at the creation of period pain, childbirth agony, misogyny, hard work, death and all bad things (including by extension, the Jonas Brothers). There are also GIANT fig leaves. Or maybe in this case they're not actually fig leaves. I don't know, I'm not a nature person.

Adam and Eve are cast out as I think most of us expected. A baby is born in short order and named Cain. I think we can see where this is going...

Watching a film about the Bible is a bit like watching a film about the Titanic: you know how it's going to end, right?

RICHARD HARRIS! Yes kids, that mean old Mr Cain was actually an Irishman. He looks young, sinewy and beardy, but God doesn't like it and spurns - yes! spurns! - Cain's offerings. I think I'm not supposed to like Cain, but the idiots cast Richard Harris. And now he's beating his brother to death for no particularly good reason.

I have a question that's bugged me all my life: If Adam and Eve are the first, and they have two sons... with whom exactly do either of them have children? It seems to me that Abel died before having children, so are we all descended from Richard Harris? I'm confused. Should I have listened more at church?

God can be such a bastard, can't he? Still, his voice is also done by John Huston (a busy chap on this film) so again, I am soothed by it.  So Cain has a wife and a son, but WHERE DID SHE COME FROM? Wasn't there a third son, Seth? Have I misremebered that?

Another narrated montage of humanity's development. 37 minutes in and there are finally more people... but they're all evil (surprise surprise), murdering and whoring and whatever, so God gets pissed off. Ah, Seth turned up just now. So... Cain's descendants are all evil but create music and all kinds of innovations, while Seth's descendants include Noah (John Huston again).

And now all I can think of is Evan Almighty, even though that wasn't a particularly good film... and Old Harry's Game again in which Satan breaks the news that Noah's family weren't the only ones to survive because "he wasn't the only one with a boat" which seems like a good point to me. And now I'm thikning about QI and the bit where Stephen Fry points out that there were differing numbers of animals depending on whether they were considered clean or unclean.

People in Biblical times seem obsessed with the notion of clean/unclean, don't they? Maybe, in the days before refridgeration or whatever, they had to be.

All the non-Noah people MUST be evil because they have painted faces and messy hair, and animal skulls about their persons.

Animal time! Yes, they come in two, and I am again reminded of Old Harry's Game and how the lions ate most of the others before he thought to lock them up.

HOW exactly did Noah get polar bears? Did he ring Harrods?

SPOILER ALERT! It's raining.

Ages later.... water gone, God decides to be nicer to humans. A rainbow!

And now.... intermission. Yes, it's old enough to require an intermission. Go get your ice creams now...

/intermission

The Tower of Babel now, with Stephen 'swords and sandals a speciality' Boyd as Nimrod, who decided to build the Tower that would reach to Heaven... because up to now God hasn't shown himself at all to mind humans getting too big for their boots. I can't see that this will end well. And all the people speak one language (esperanto?) so all can communicate. I can't imagine what punishment God might mete out.

BIG CLOUDS OF DOOM! SCAFFOLDING COLLAPSING! WOE!

Nimrod's scheme is done in and yet he still wants to continue. The Many Extras are not so stupid and choose, wisely, to run away, far far away. But what's this? They can no longer understand each other! Fighting hath broken out as the Lord did confound their language and scattered them abroad. And that kids, is how Flemish came to be.

More desert scenes. Quite bored of sand, to be honest.

Now, 'tis time for Abraham. This means, unfortunately, it is time for George C Scott, an unpleasant man who thought beating up Ava Gardner was suitable behaviour for a human being... So far he's just doing a lot of Meaningful Staring.

And there is my girl, Miss Gardner, with her beautiful voice to match her face, as they trade eupemisms about sex. I was under the impression that even in the Bible it was OK to shag if you're married (to each other, natch) so I don't see the point of all the going-around-the-houses but... this is Hollywood in the 60s.

So Abram as he currently is, is doing well with his people and his sheep... but Ava is barren so... you can see where this is going, because no man can possibly be successful without bearing sons. A man cannot be a man without bearing men... snore. So he whinges about it and God more or less says, "Sacrifice some animals, then go shag Hagar, her maid. They won't mind."

I think it's handy that sacrificing animals is largely out of fashion these days. It looks messy. There's some foreshadowing of the treatment Jews will get through the generations, but he still wants his son.

Actually, it's Sarai/Sarah who sends Hagar to him... Interesting Wiki Fact: Abram and Sarai are half-siblings. That's not weird at all. I feel awfully sorry for her, telling him that he should shag Hagar so he can have children because she can't. That poor woman. Ava seems to be wearing a mohair shawl.... Hagar is a bit of bitch to her, talking about ripened fruits and so Sarai quite reasonably gets upset.

I am incredibly biased in favour of Miss G, but Ava puts in a very restrained, thoughtful performance. Her age is showing on her face, but it's still that face and she is still more beautiful than most people will ever be.

Whenever I think of this story, it reminds me of Isaac and Ishmael, the post-9/11 episode of The West Wing. It's a very thoughtful episode of the show.

Time for Lot's Wife, Sodom, Gomorrah and all that caper, from the looks of it. I think The Brick Testament tells this particular story best. James Bond's father in law is playing Lot, which I find amusing for no good reason.

OK..... I just got totally distracted by the Brick Testament and forgot to watch, until I heard the unmistakable voice of...

PETER O'TOOLE! He's here at last! It's only taken two hours.

He plays angel(s), which is surely playing against type given what he was up to in 1966. Anyway, your man is warning Abraham about what he's about to do to Sodom. Instead of asking 'what are you playing at, massacring people?' Abraham offers PETER O'TOOLE a seat and refreshments.

Well, it's what I'd do if PETER O'TOOLE turned up at my house. There are THREE of him, too. One beardy, one not, the third I know not. He's quite an astounding actor, and even as a young man could bring gravitas even to ridiculous, pompous religious speeches.

PETER O'TOOLE tells Abraham and Sarah that they will have a son. She doesn't believe him or is overcome and laughs. PETER O'TOOLE takes offence.

Now, it seems to me that PETER is actually really playing God, y/n, rather than the Three Angels he's credited as. Anyway, Abraham does ask him to spare the people of Sodom and Gomorrah. PETER says "If there are fifty righteous men I'll not destroy it, etc etc." Then he DISAPPEARS! God/Angels/PETER takes pity and says he will not destroy the city if 10 righteous men can be found.

Unfortunately, Sodom and Gomorrah are pretty well full of sinners, sexual deviants, drinkers, and what have you. Like Grimsby on a Saturday night, I reckon... so the chances of finding even 10 righteous people is probably a bit like finding 10 righteous people in a Grimsby nightclub. PETER O'TOOLE's gonna have his work cut out.

If you're wondering why I capitalise his name, it refers to an Oscar night online chat, when he was ROBBED (yet again) of the Best Actor award. Forrest Whittaker got it for playing Idi Amin. An excellent performance, I grant you, but PETER in Venus was so truly outstanding as he was the seven times he was nominated before that and still didn't win. So anyway, it was probably a convoluted conversation but I declared in all my outrage, that henceforth he would be PETER O'TOOLE and he is.

I digress. The people of Sodom are trying to break into Lot's house to get at PETER (an understandable notion, perhaps) and I think we can see where this is going... the Sodomites are SO WICKED AND EVIL that they broke in so that they 'may know' these strangers. Which I assume is Biblical speak for getting Biblical with them. Lot offers his daughters instead of the strangers, which seems as bad as that which the Sodomites want to do with PETER O'TOOLE

ooooooh! MEGA CLOSE UP of those blue O'TOOLE eyes! The purchase of this DVD has been rendered worth it. He declares he's gonna smite these evil bastards and tells Lot to take his wife and daughters out before the brimstone begins. "Look not behind thee," says PETER. Can you guess what Lot's wife is going to do? Because those women they just can't do as they're told, can they? God doesn't want them to see his terrible punishment, I get it. Lot's Wife now = sodium chloride. Sodom is just a mushroom cloud, so we can apparently deduce that God had nukulur weapons before the Americans.

But it's all OK really becaue Sarah's had her baby and Abraham can rest easy, having two sons. Never mind that those two sons will lead to religious warfare for centuries... These people just aren't forward-looking, are they? Sarah's now the oldest mum until IVF comes along...

Oh dear. Sarah wants Abraham to get rid of Hagar and Ishmael. Methinks she is jealous now she has what she wants. Still, in all His Infinite Wisdom, God tells Abraham to do it. So that's going to end well...

PETER O'TOOLE is back when Hagar and kid in the desert are near death and suddenly! There is water!

Abraham's aging make up is starting to make him look like a character from Labyrinth.

And now, for the bit covered by Dylan, so presumably this is all going to be resolved on Highway 61. Isaac is clearly too clever and cute for his own good, so God tells Abraham to sacrifice the little imp. Abraham (quite rightly) objects to murdering his son (isn't murder one of the commandments? I suppose we haven't got to that bit yet), but decides that God is right and so leads the poor kid up the road to become an episode of Taggart. There's been a murrr-durrr...

Abraham and Isaac wander through a load of rubble that was once a city God destroyed. Isaac asks if God killed the children of the city and if they were wicked too. and there's A SNAKE! Abraham goes on a bit of a rant, I'm not really listening to be honest cos I'm back reading Revelations at the Brick Testament. The kid goes to his dad to make him feel better, like any good son would do. So Abraham decides that this means he should kill the boy... so they go up a mountain, he lights a fire and waves a branch around, as you do. Isaac is a clever kid and works out that his dad's getting ready for a sacrifice, but there is no ram! Clever kid, like I said.

He's scared but gives his dad a hug just the same and lets Abraham sacrifice him. Then, just as he's about to stab the kid, God finally intervenes and reveals it was just a test of Abraham's devotion.

Also, Isaac is not his only son. Wasn't there a whole big thing earlier? Have they not read the script? Has this been shot out of sequence?

Anyway, the kid lives, although is a bit smoky around the edges and - MIRACLE OF MIRACLES - there is a ram for the sacrifice! Hurrah!

God's a funny guy, isn't he? Bit insecure, bit needy, as they say in Old Harry's Game. But he's pleased now so he says that Abraham's seed will spread across the world, etc etc.

I'd like to end on a 'and they lived happily ever after' but we know better, don't we?

*

Next Film on the List: The Italian Job.

If you'd like to pick a number up to 538, please leave a comment. Numbers 352, 111, 4, 456 have been selected so far.
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Second movie is The Bible... In The Beginning, (number 111 picked by[profile] black_olives_11 )

*

The Bible... In The Beginning
, 1966. Directed by John Huston. 20th Century Fox. Starring: A ton of people.

There are two reasons that I own The Bible and neither of them are Christianity. They are two simple reasons which should not require explanation: PETER O'TOOLE and Ava Gardner.

The film covers the first 22 books of Genesis, and I could go and get my dad's school Bible (authorised! for Catholics!) so I can make sure they're doing it right but... I'm not going to.

The Creation is covered by a ten minute series of scenes as John Huston himself narrates. Lots of stars, gushing water, running animals and - finally - a blond, blue eyed man called Adam.

Now, it may be that I've listened to Old Harry's Game too much but... I simply don't buy the idea of Adam and Eve necessarily being blond and blue eyed and speaking in (possibly overdubbed) English accents.

Huston's narration continues, and to be honest I don't mind; lovely speaking voice the man had. Lots of Sweeping Strings and Vocal Choir music.

Of course, Adam and Eve are naked but this is 1966 and Hollywood so you don't see anything. Probably just as well. I mean, the blue penis in Watchmen caused enough of a stir this year.

So far, so ponderous. I can't think of any funny religious films until Life of Brian right now. I wonder what makes people so unwilling to take the piss out of religion? Oh, that's right, absolute fear. Not necessarily fear of God but of the likes of the Legion of Decency.

Check out the list of films condemned by the Legion. It's a bit like Nixon's Enemies List, where it's almost a list of recommendation for everyone else. Paul Newman said being on Nixon's Enemies List was one of his greatest achievements.

So I'm 22 minutes into a 174 minute film and Adam and Eve are only now talking about the Tree You're Not Supposed To Eat From. Eve, of course, as history tells it, the one who kicks it off and to be honest, when a tree is called The Tree of Knowledge I think I'd be willing to have a go, because knowledge is the one truly indispensible thing in humanity's existence.

Lots of shots of how pretty Eden is, but as a person who's been to the Lakes of Killarney I am quite unimpressed. It's basically a meadow with a stream and some animals, including Shadowfax.

And here we are, at the creation of period pain, childbirth agony, misogyny, hard work, death and all bad things (including by extension, the Jonas Brothers). There are also GIANT fig leaves. Or maybe in this case they're not actually fig leaves. I don't know, I'm not a nature person.

Adam and Eve are cast out as I think most of us expected. A baby is born in short order and named Cain. I think we can see where this is going...

Watching a film about the Bible is a bit like watching a film about the Titanic: you know how it's going to end, right?

RICHARD HARRIS! Yes kids, that mean old Mr Cain was actually an Irishman. He looks young, sinewy and beardy, but God doesn't like it and spurns - yes! spurns! - Cain's offerings. I think I'm not supposed to like Cain, but the idiots cast Richard Harris. And now he's beating his brother to death for no particularly good reason.

I have a question that's bugged me all my life: If Adam and Eve are the first, and they have two sons... with whom exactly do either of them have children? It seems to me that Abel died before having children, so are we all descended from Richard Harris? I'm confused. Should I have listened more at church?

God can be such a bastard, can't he? Still, his voice is also done by John Huston (a busy chap on this film) so again, I am soothed by it.  So Cain has a wife and a son, but WHERE DID SHE COME FROM? Wasn't there a third son, Seth? Have I misremebered that?

Another narrated montage of humanity's development. 37 minutes in and there are finally more people... but they're all evil (surprise surprise), murdering and whoring and whatever, so God gets pissed off. Ah, Seth turned up just now. So... Cain's descendants are all evil but create music and all kinds of innovations, while Seth's descendants include Noah (John Huston again).

And now all I can think of is Evan Almighty, even though that wasn't a particularly good film... and Old Harry's Game again in which Satan breaks the news that Noah's family weren't the only ones to survive because "he wasn't the only one with a boat" which seems like a good point to me. And now I'm thikning about QI and the bit where Stephen Fry points out that there were differing numbers of animals depending on whether they were considered clean or unclean.

People in Biblical times seem obsessed with the notion of clean/unclean, don't they? Maybe, in the days before refridgeration or whatever, they had to be.

All the non-Noah people MUST be evil because they have painted faces and messy hair, and animal skulls about their persons.

Animal time! Yes, they come in two, and I am again reminded of Old Harry's Game and how the lions ate most of the others before he thought to lock them up.

HOW exactly did Noah get polar bears? Did he ring Harrods?

SPOILER ALERT! It's raining.

Ages later.... water gone, God decides to be nicer to humans. A rainbow!

And now.... intermission. Yes, it's old enough to require an intermission. Go get your ice creams now...

/intermission

The Tower of Babel now, with Stephen 'swords and sandals a speciality' Boyd as Nimrod, who decided to build the Tower that would reach to Heaven... because up to now God hasn't shown himself at all to mind humans getting too big for their boots. I can't see that this will end well. And all the people speak one language (esperanto?) so all can communicate. I can't imagine what punishment God might mete out.

BIG CLOUDS OF DOOM! SCAFFOLDING COLLAPSING! WOE!

Nimrod's scheme is done in and yet he still wants to continue. The Many Extras are not so stupid and choose, wisely, to run away, far far away. But what's this? They can no longer understand each other! Fighting hath broken out as the Lord did confound their language and scattered them abroad. And that kids, is how Flemish came to be.

More desert scenes. Quite bored of sand, to be honest.

Now, 'tis time for Abraham. This means, unfortunately, it is time for George C Scott, an unpleasant man who thought beating up Ava Gardner was suitable behaviour for a human being... So far he's just doing a lot of Meaningful Staring.

And there is my girl, Miss Gardner, with her beautiful voice to match her face, as they trade eupemisms about sex. I was under the impression that even in the Bible it was OK to shag if you're married (to each other, natch) so I don't see the point of all the going-around-the-houses but... this is Hollywood in the 60s.

So Abram as he currently is, is doing well with his people and his sheep... but Ava is barren so... you can see where this is going, because no man can possibly be successful without bearing sons. A man cannot be a man without bearing men... snore. So he whinges about it and God more or less says, "Sacrifice some animals, then go shag Hagar, her maid. They won't mind."

I think it's handy that sacrificing animals is largely out of fashion these days. It looks messy. There's some foreshadowing of the treatment Jews will get through the generations, but he still wants his son.

Actually, it's Sarai/Sarah who sends Hagar to him... Interesting Wiki Fact: Abram and Sarai are half-siblings. That's not weird at all. I feel awfully sorry for her, telling him that he should shag Hagar so he can have children because she can't. That poor woman. Ava seems to be wearing a mohair shawl.... Hagar is a bit of bitch to her, talking about ripened fruits and so Sarai quite reasonably gets upset.

I am incredibly biased in favour of Miss G, but Ava puts in a very restrained, thoughtful performance. Her age is showing on her face, but it's still that face and she is still more beautiful than most people will ever be.

Whenever I think of this story, it reminds me of Isaac and Ishmael, the post-9/11 episode of The West Wing. It's a very thoughtful episode of the show.

Time for Lot's Wife, Sodom, Gomorrah and all that caper, from the looks of it. I think The Brick Testament tells this particular story best. James Bond's father in law is playing Lot, which I find amusing for no good reason.

OK..... I just got totally distracted by the Brick Testament and forgot to watch, until I heard the unmistakable voice of...

PETER O'TOOLE! He's here at last! It's only taken two hours.

He plays angel(s), which is surely playing against type given what he was up to in 1966. Anyway, your man is warning Abraham about what he's about to do to Sodom. Instead of asking 'what are you playing at, massacring people?' Abraham offers PETER O'TOOLE a seat and refreshments.

Well, it's what I'd do if PETER O'TOOLE turned up at my house. There are THREE of him, too. One beardy, one not, the third I know not. He's quite an astounding actor, and even as a young man could bring gravitas even to ridiculous, pompous religious speeches.

PETER O'TOOLE tells Abraham and Sarah that they will have a son. She doesn't believe him or is overcome and laughs. PETER O'TOOLE takes offence.

Now, it seems to me that PETER is actually really playing God, y/n, rather than the Three Angels he's credited as. Anyway, Abraham does ask him to spare the people of Sodom and Gomorrah. PETER says "If there are fifty righteous men I'll not destroy it, etc etc." Then he DISAPPEARS! God/Angels/PETER takes pity and says he will not destroy the city if 10 righteous men can be found.

Unfortunately, Sodom and Gomorrah are pretty well full of sinners, sexual deviants, drinkers, and what have you. Like Grimsby on a Saturday night, I reckon... so the chances of finding even 10 righteous people is probably a bit like finding 10 righteous people in a Grimsby nightclub. PETER O'TOOLE's gonna have his work cut out.

If you're wondering why I capitalise his name, it refers to an Oscar night online chat, when he was ROBBED (yet again) of the Best Actor award. Forrest Whittaker got it for playing Idi Amin. An excellent performance, I grant you, but PETER in Venus was so truly outstanding as he was the seven times he was nominated before that and still didn't win. So anyway, it was probably a convoluted conversation but I declared in all my outrage, that henceforth he would be PETER O'TOOLE and he is.

I digress. The people of Sodom are trying to break into Lot's house to get at PETER (an understandable notion, perhaps) and I think we can see where this is going... the Sodomites are SO WICKED AND EVIL that they broke in so that they 'may know' these strangers. Which I assume is Biblical speak for getting Biblical with them. Lot offers his daughters instead of the strangers, which seems as bad as that which the Sodomites want to do with PETER O'TOOLE

ooooooh! MEGA CLOSE UP of those blue O'TOOLE eyes! The purchase of this DVD has been rendered worth it. He declares he's gonna smite these evil bastards and tells Lot to take his wife and daughters out before the brimstone begins. "Look not behind thee," says PETER. Can you guess what Lot's wife is going to do? Because those women they just can't do as they're told, can they? God doesn't want them to see his terrible punishment, I get it. Lot's Wife now = sodium chloride. Sodom is just a mushroom cloud, so we can apparently deduce that God had nukulur weapons before the Americans.

But it's all OK really becaue Sarah's had her baby and Abraham can rest easy, having two sons. Never mind that those two sons will lead to religious warfare for centuries... These people just aren't forward-looking, are they? Sarah's now the oldest mum until IVF comes along...

Oh dear. Sarah wants Abraham to get rid of Hagar and Ishmael. Methinks she is jealous now she has what she wants. Still, in all His Infinite Wisdom, God tells Abraham to do it. So that's going to end well...

PETER O'TOOLE is back when Hagar and kid in the desert are near death and suddenly! There is water!

Abraham's aging make up is starting to make him look like a character from Labyrinth.

And now, for the bit covered by Dylan, so presumably this is all going to be resolved on Highway 61. Isaac is clearly too clever and cute for his own good, so God tells Abraham to sacrifice the little imp. Abraham (quite rightly) objects to murdering his son (isn't murder one of the commandments? I suppose we haven't got to that bit yet), but decides that God is right and so leads the poor kid up the road to become an episode of Taggart. There's been a murrr-durrr...

Abraham and Isaac wander through a load of rubble that was once a city God destroyed. Isaac asks if God killed the children of the city and if they were wicked too. and there's A SNAKE! Abraham goes on a bit of a rant, I'm not really listening to be honest cos I'm back reading Revelations at the Brick Testament. The kid goes to his dad to make him feel better, like any good son would do. So Abraham decides that this means he should kill the boy... so they go up a mountain, he lights a fire and waves a branch around, as you do. Isaac is a clever kid and works out that his dad's getting ready for a sacrifice, but there is no ram! Clever kid, like I said.

He's scared but gives his dad a hug just the same and lets Abraham sacrifice him. Then, just as he's about to stab the kid, God finally intervenes and reveals it was just a test of Abraham's devotion.

Also, Isaac is not his only son. Wasn't there a whole big thing earlier? Have they not read the script? Has this been shot out of sequence?

Anyway, the kid lives, although is a bit smoky around the edges and - MIRACLE OF MIRACLES - there is a ram for the sacrifice! Hurrah!

God's a funny guy, isn't he? Bit insecure, bit needy, as they say in Old Harry's Game. But he's pleased now so he says that Abraham's seed will spread across the world, etc etc.

I'd like to end on a 'and they lived happily ever after' but we know better, don't we?

*

Next Film on the List: The Italian Job.

If you'd like to pick a number up to 538, please leave a comment. Numbers 352, 111, 4, 456 have been selected so far.
apolla: (Default)
Our filmic odyssey begins with Ziegfeld Girl (number 352 picked by[livejournal.com profile] windtear )

Ziegfeld Girl, 1941. Directed by Robert Z Leonard, musical numbers by Busby Berkeley. Starring Judy Garland, Lana Turner, Hedy Lamarr, James Stewart.

*

Nobody did musical films like MGM. When I say that, I'm not always being complimentary. My outstanding memory of this film is that MGM threw all its pretty girls and glamorous costumes at Ziegfeld Girl but forgot a decent plot. Let's see if my memory is faulty. Hit play, somebody!

So... Lana Turner is a pretty elevator girl, James Stewart is her beau. Fortunately, this is established almost immediately so there's no faffing. Gosh, Stewart's gotta be six inches taller than her. Also established is Lana's disaffection for her job (can't blame her) and her chance to be a Ziegfeld girl. Snogging ensues and Jimmy Stewart's hair is in the place it always should be - perched right on the back of his head.

I think I'm supposed to think that being a Ziegfeld girl is the pinnacle of something, and that Florenz Ziegfeld is a benevolent god atop the Broadway Mountain.

And now, here's Judy, sat in the waiting room with all those Generic Pretty Girls.

Musical number! Judy's character and her dad doing their vaudeville routine on stage in Harlem. Perfunctory at best with the poor girl in a ridiculous costume that's half-majorette, half-tutu. Fortunately it's not too long.

The reason I'm recapping rather than writing about the film is because I don't recall it striking me the first time and I can't see it happening this time.

There's some stuff with girls walking up and down stairs with books perched on their heads. Jackie Cooper turns up almost-all-grown-up. Sparks fly between Judy and Jackie.

Hedy Lamarr alert! Now that's a face, right? She gets pulled in to be a Ziegfeld Girl when her husband is there to be audition (unsuccessfully) musician. You can see where this is going right?

I can't remember how the film ends. Did I see to the end last time or did I get bored? Maybe I got bored and left it running while I played The Sims.

Eve Arden alert! Principal McGee as a young, wisecracking woman. Dude comes in to give a long speech about what happens to Ziegfeld girls once they step onto that stage, but then absolves Ziegfeld of any guilt for things going wrong. Not foreshadowing at all...

Because being a Ziegfeld girl is all life, condensed, apparently.

Musical number: Tony Martin sings 'You Stepped Out of a Dream' and the parade of Generic Pretty Girls waft across the stage in gauze and wearing stars on wires. Hedy does the walking-up-stairs without a problem. Certainly she looks very beautiful but... this is not interesting watching. Generic Pretty Girls wearing gold lame curtains do some walking-down-stairs. Various ridiculous 'glamorous' costumes are worn. More walking up-and-down stairs. I am watching the clock.

Oh, to have been MGM's chief gauzy material supplier!

I recall parts of this from the clips in That's Entertainment! and rather wish I was watching that instead, so I at least had the promise of Gene Kelly in a minute.

As usual, Berkeley's 'choreography' consists almost entirely of lots of people just moving. Apparently he'd been something to do with parade drills in the military. It shows, as far as I'm concerned. It's glitzy, it's big but it's not interesting.

Did I specify no fast-forward/skipping in the original post for this? I hope not... the film has been on for half an hour and it feels like twice as long.

Ah... Lana's clearly a snotty bitch in this. The set up is established that her relationship with James Stewart is going to get screwed up. She's going to pick up with the rich bloke, she's going to get sucked into the image, she's going to be the one who starts to believe her own press. The only way it could be more obvious is if there was a tickertape at the bottom of the screen telling us.

I'm having no luck getting into this particular picture at all. It's all glitz and glamour but not much heart or head. Most unforgiveably, the music is uninteresting. While Hedy is undeniably very, very beautiful, I don't think it's something to base an entire movie on. Tony Martin (Mr Cyd Charisse when he wasn't singing) is clearly going to make a play for Hedy - I'm not bothering to use character names because it's clearly unimportant in this film.

So, what have we learned so far? The melodrama isn't that dramatic and the music isn't that hot.

OH! Jimmy Stewart just started punching people! He's Todd Wilkins! He's Todd Wilkins if Elizabeth went and got herself into a show and got 'sponsored' by Bruce Patman. Since when does Jimmy Stewart punch people? It's Bizarro Hollywood.

It is said that Lana Turner was discovered in a cafe of some sort, which I believe if only because she can't possibly have been discovered at an audition: as an actress she makes an excellent sweater girl.

Melodrama escalates: Jimmy Stewart becomes a gangster because Lana cares more about money. I'm reaching for the fast-forward button, man... Judy and Dad are still trying to make it as a duo when the audience realised during their first scene that it will end in tears. Judy auditions to be a singer but does badly because she's doing vaudeville when the Ziegfield lot want glamor!! instead. Listening, I don't blame them. Judy does it her way and predictably pulls so many heartstrings that a flood warning is issued. Actually, so far it's the only scene in 53 minutes that I haven't wanted to skip through. The dad ditches himself for her sake as we always knew he would. Still, at least this character has a soul.

An hour and five in, Lana's definitely drunk.

Oh my GOD. According to imdb, this is 130 minutes long. HOW? Seriously how? I'm already losing the will to live...

*

Part Two, The Next Day, after some sleep.

I'm trying to watch, really... I'm an hour and a half in. Lana's in a state of perma-drunkness even when on stage in some strange costume that looks like it's inspired by Hitchcocks The Birds. Hedy's decided to stick with her husband instead of Tony Martin after the most civilised wife-and-mistress conversation ever committed to film. Civilised and boring. Haven't seen much of Judy in awhile.

There's more walking up and down stairs. Lots more, until a beach scene which involves a beast of burden of some kind - I think it's a white ox but could just as easily be a cow or something.

Ethnic Tokenism! Some faux-flamenco by slightly dark-skinned persons. I can only assume this is separate from the storyline and not featuring any leads so that MGM could cut it out for the racist audiences...

and we're back at the stage-beach and it's JUDY! Hurrah! She singings! She... may be slightly blacked up. I shall repeat to myself *1941, 1941* as if that makes it OK. Song is called Minnie from Trinidad I think. Ethnic Tokenism includes a fake parrot tied to Judy's shoulder as part of her costume. Choreography remains just a bunch of people moving. No wonder Gene Kelly had such a hard time with Berkeley.

Now, I've never been inside the New Amsterdam Theatre but the size of the stage for this number wouldn't fit inside Wembley Stadium!

Drunk Lana fell off the stage. Judy and Hedy are sympathetic but don't actually seem to care. Hedy and Violinist reconcile. Lana is fired. Judy goes for milkshakes with Jackie Cooper. Clearly she's totally over the kid-roles...

Time passes (fortunately, we don't have to watch it), Lana is still drunk and now apparently a whore of increasingly low rent.

For the LAST WEEK!! of the Follies, we learn that Hedy's leaving to accompany her husband on a concert tour. And now JUDY'S ON THE MARQUEE! But what's this? She wants to LEAVE to help her Pop! It's her Pop!

The first sensible thing I've heard all movie: "Leave Hoboken where it is."

Lana is now so down on her luck she makes Dicey Reilly look good, and I still don't care. Honestly, I couldn't give a damn about this character. Moral of the story: girls who like drink always get their comeuppance and girls who want to not live in poverty will always get their comeuppance. Douchebag slaps Lana. She collapses. It's Oh So Tragic.

Lana goes home to be nursed by her mommy and daddy and Jackie Cooper. James Stewart turns up, fresh out of clink and all Jimmy Stewarty again instead of a nasty gangster. You can see what's coming, can't you? She even has the special Hairdo Of Tragic Near Death that I've previously seen on every other actress who did the Gracious Death Scene. Still, there's another half an hour of this bloody film to go. She's got it all: the slightly raspy voice, the slow stammer, the wide eyes... girl's definitely doomed.

They kiss. I still don't care. Jimmy seems eager to forgive her for the last two hours' worth of being a selfish bitch, but I suppose it's Lana Turner. Some stuff about ducks ensues but I'm not really listening: watching the time counter tick over is actually better than the film itself at this point.

I just know this post is dull as anything, but man I cannot make this interesting.

Discussion is had between Tragic Lana and Reformed Jimmy about how she's two people and neither's any good. Jimmy disagrees, I do not. She declares that she simply must go to Judy's big opening night, which is presumably what takes up the last half hour. Meanwhile, I'm sat here getting older. Tragic Lana is Tragic.

Judy's Pop gets to go on stage with his mate to do their vaudeville routine on the Ziegfeld stage.

Lana turns up at the show. The box office guy doesn't let her pay for a ticket because 'Mr Ziegfeld wouldn't like it'. Just like the never-seen Big Z didn't like her getting pissed and falling off the special stairs? Tragic Lana must very tragic because she's speaking very quietly and being very nice. Judy's Pop and his mate go down a storm with the posh audience. Judy is pleased so can clearly now go on and do her thing without guilt. Hurrah!

Generic Pretty Girls are now generic and surrounded by balloons. "To be a perfect Ziegfeld girl you don't need much knowledge." No shit. Tragic Lana watches tragically and thinks "I could've still been there if I wasn't such a hoor." or something. More walking on the stadium-sized stage continues and still isn't that interesting.

INTERESTING WIKI FACT: The real Ziegfeld was married to Billie Burke, who played The Good Witch Glinda in The Wizard of Oz.

Tragic Lana walks down the staircase of the theatre like it's the one on stage as the music swells. But OH NOES! At the bottom of the stairs she collapses Tragically. Hedy and Violinist come to her and Tragic Lana tells her, while in position for Glamorous Death, that she's going to raise ducks with Gil. Judy ends the film on the top of the Magical Staircase dressed like one of those toilet roll covers from the 70s and the final shot is from a completely different film which I recognise from That's Entertainment! A suitable end, I think.

Verdict: If this hadn't come as part of the Judy Garland Signature Collection, I wouldn't own it in a million years. It's proof that for every truly stupendous musical film, there's at least six films like this. Urgh.

*

Next: The Bible... In The Beginning. At least that's got PETER O'TOOLE

apolla: (Default)
Our filmic odyssey begins with Ziegfeld Girl (number 352 picked by[livejournal.com profile] windtear )

Ziegfeld Girl, 1941. Directed by Robert Z Leonard, musical numbers by Busby Berkeley. Starring Judy Garland, Lana Turner, Hedy Lamarr, James Stewart.

*

Nobody did musical films like MGM. When I say that, I'm not always being complimentary. My outstanding memory of this film is that MGM threw all its pretty girls and glamorous costumes at Ziegfeld Girl but forgot a decent plot. Let's see if my memory is faulty. Hit play, somebody!

So... Lana Turner is a pretty elevator girl, James Stewart is her beau. Fortunately, this is established almost immediately so there's no faffing. Gosh, Stewart's gotta be six inches taller than her. Also established is Lana's disaffection for her job (can't blame her) and her chance to be a Ziegfeld girl. Snogging ensues and Jimmy Stewart's hair is in the place it always should be - perched right on the back of his head.

I think I'm supposed to think that being a Ziegfeld girl is the pinnacle of something, and that Florenz Ziegfeld is a benevolent god atop the Broadway Mountain.

And now, here's Judy, sat in the waiting room with all those Generic Pretty Girls.

Musical number! Judy's character and her dad doing their vaudeville routine on stage in Harlem. Perfunctory at best with the poor girl in a ridiculous costume that's half-majorette, half-tutu. Fortunately it's not too long.

The reason I'm recapping rather than writing about the film is because I don't recall it striking me the first time and I can't see it happening this time.

There's some stuff with girls walking up and down stairs with books perched on their heads. Jackie Cooper turns up almost-all-grown-up. Sparks fly between Judy and Jackie.

Hedy Lamarr alert! Now that's a face, right? She gets pulled in to be a Ziegfeld Girl when her husband is there to be audition (unsuccessfully) musician. You can see where this is going right?

I can't remember how the film ends. Did I see to the end last time or did I get bored? Maybe I got bored and left it running while I played The Sims.

Eve Arden alert! Principal McGee as a young, wisecracking woman. Dude comes in to give a long speech about what happens to Ziegfeld girls once they step onto that stage, but then absolves Ziegfeld of any guilt for things going wrong. Not foreshadowing at all...

Because being a Ziegfeld girl is all life, condensed, apparently.

Musical number: Tony Martin sings 'You Stepped Out of a Dream' and the parade of Generic Pretty Girls waft across the stage in gauze and wearing stars on wires. Hedy does the walking-up-stairs without a problem. Certainly she looks very beautiful but... this is not interesting watching. Generic Pretty Girls wearing gold lame curtains do some walking-down-stairs. Various ridiculous 'glamorous' costumes are worn. More walking up-and-down stairs. I am watching the clock.

Oh, to have been MGM's chief gauzy material supplier!

I recall parts of this from the clips in That's Entertainment! and rather wish I was watching that instead, so I at least had the promise of Gene Kelly in a minute.

As usual, Berkeley's 'choreography' consists almost entirely of lots of people just moving. Apparently he'd been something to do with parade drills in the military. It shows, as far as I'm concerned. It's glitzy, it's big but it's not interesting.

Did I specify no fast-forward/skipping in the original post for this? I hope not... the film has been on for half an hour and it feels like twice as long.

Ah... Lana's clearly a snotty bitch in this. The set up is established that her relationship with James Stewart is going to get screwed up. She's going to pick up with the rich bloke, she's going to get sucked into the image, she's going to be the one who starts to believe her own press. The only way it could be more obvious is if there was a tickertape at the bottom of the screen telling us.

I'm having no luck getting into this particular picture at all. It's all glitz and glamour but not much heart or head. Most unforgiveably, the music is uninteresting. While Hedy is undeniably very, very beautiful, I don't think it's something to base an entire movie on. Tony Martin (Mr Cyd Charisse when he wasn't singing) is clearly going to make a play for Hedy - I'm not bothering to use character names because it's clearly unimportant in this film.

So, what have we learned so far? The melodrama isn't that dramatic and the music isn't that hot.

OH! Jimmy Stewart just started punching people! He's Todd Wilkins! He's Todd Wilkins if Elizabeth went and got herself into a show and got 'sponsored' by Bruce Patman. Since when does Jimmy Stewart punch people? It's Bizarro Hollywood.

It is said that Lana Turner was discovered in a cafe of some sort, which I believe if only because she can't possibly have been discovered at an audition: as an actress she makes an excellent sweater girl.

Melodrama escalates: Jimmy Stewart becomes a gangster because Lana cares more about money. I'm reaching for the fast-forward button, man... Judy and Dad are still trying to make it as a duo when the audience realised during their first scene that it will end in tears. Judy auditions to be a singer but does badly because she's doing vaudeville when the Ziegfield lot want glamor!! instead. Listening, I don't blame them. Judy does it her way and predictably pulls so many heartstrings that a flood warning is issued. Actually, so far it's the only scene in 53 minutes that I haven't wanted to skip through. The dad ditches himself for her sake as we always knew he would. Still, at least this character has a soul.

An hour and five in, Lana's definitely drunk.

Oh my GOD. According to imdb, this is 130 minutes long. HOW? Seriously how? I'm already losing the will to live...

*

Part Two, The Next Day, after some sleep.

I'm trying to watch, really... I'm an hour and a half in. Lana's in a state of perma-drunkness even when on stage in some strange costume that looks like it's inspired by Hitchcocks The Birds. Hedy's decided to stick with her husband instead of Tony Martin after the most civilised wife-and-mistress conversation ever committed to film. Civilised and boring. Haven't seen much of Judy in awhile.

There's more walking up and down stairs. Lots more, until a beach scene which involves a beast of burden of some kind - I think it's a white ox but could just as easily be a cow or something.

Ethnic Tokenism! Some faux-flamenco by slightly dark-skinned persons. I can only assume this is separate from the storyline and not featuring any leads so that MGM could cut it out for the racist audiences...

and we're back at the stage-beach and it's JUDY! Hurrah! She singings! She... may be slightly blacked up. I shall repeat to myself *1941, 1941* as if that makes it OK. Song is called Minnie from Trinidad I think. Ethnic Tokenism includes a fake parrot tied to Judy's shoulder as part of her costume. Choreography remains just a bunch of people moving. No wonder Gene Kelly had such a hard time with Berkeley.

Now, I've never been inside the New Amsterdam Theatre but the size of the stage for this number wouldn't fit inside Wembley Stadium!

Drunk Lana fell off the stage. Judy and Hedy are sympathetic but don't actually seem to care. Hedy and Violinist reconcile. Lana is fired. Judy goes for milkshakes with Jackie Cooper. Clearly she's totally over the kid-roles...

Time passes (fortunately, we don't have to watch it), Lana is still drunk and now apparently a whore of increasingly low rent.

For the LAST WEEK!! of the Follies, we learn that Hedy's leaving to accompany her husband on a concert tour. And now JUDY'S ON THE MARQUEE! But what's this? She wants to LEAVE to help her Pop! It's her Pop!

The first sensible thing I've heard all movie: "Leave Hoboken where it is."

Lana is now so down on her luck she makes Dicey Reilly look good, and I still don't care. Honestly, I couldn't give a damn about this character. Moral of the story: girls who like drink always get their comeuppance and girls who want to not live in poverty will always get their comeuppance. Douchebag slaps Lana. She collapses. It's Oh So Tragic.

Lana goes home to be nursed by her mommy and daddy and Jackie Cooper. James Stewart turns up, fresh out of clink and all Jimmy Stewarty again instead of a nasty gangster. You can see what's coming, can't you? She even has the special Hairdo Of Tragic Near Death that I've previously seen on every other actress who did the Gracious Death Scene. Still, there's another half an hour of this bloody film to go. She's got it all: the slightly raspy voice, the slow stammer, the wide eyes... girl's definitely doomed.

They kiss. I still don't care. Jimmy seems eager to forgive her for the last two hours' worth of being a selfish bitch, but I suppose it's Lana Turner. Some stuff about ducks ensues but I'm not really listening: watching the time counter tick over is actually better than the film itself at this point.

I just know this post is dull as anything, but man I cannot make this interesting.

Discussion is had between Tragic Lana and Reformed Jimmy about how she's two people and neither's any good. Jimmy disagrees, I do not. She declares that she simply must go to Judy's big opening night, which is presumably what takes up the last half hour. Meanwhile, I'm sat here getting older. Tragic Lana is Tragic.

Judy's Pop gets to go on stage with his mate to do their vaudeville routine on the Ziegfeld stage.

Lana turns up at the show. The box office guy doesn't let her pay for a ticket because 'Mr Ziegfeld wouldn't like it'. Just like the never-seen Big Z didn't like her getting pissed and falling off the special stairs? Tragic Lana must very tragic because she's speaking very quietly and being very nice. Judy's Pop and his mate go down a storm with the posh audience. Judy is pleased so can clearly now go on and do her thing without guilt. Hurrah!

Generic Pretty Girls are now generic and surrounded by balloons. "To be a perfect Ziegfeld girl you don't need much knowledge." No shit. Tragic Lana watches tragically and thinks "I could've still been there if I wasn't such a hoor." or something. More walking on the stadium-sized stage continues and still isn't that interesting.

INTERESTING WIKI FACT: The real Ziegfeld was married to Billie Burke, who played The Good Witch Glinda in The Wizard of Oz.

Tragic Lana walks down the staircase of the theatre like it's the one on stage as the music swells. But OH NOES! At the bottom of the stairs she collapses Tragically. Hedy and Violinist come to her and Tragic Lana tells her, while in position for Glamorous Death, that she's going to raise ducks with Gil. Judy ends the film on the top of the Magical Staircase dressed like one of those toilet roll covers from the 70s and the final shot is from a completely different film which I recognise from That's Entertainment! A suitable end, I think.

Verdict: If this hadn't come as part of the Judy Garland Signature Collection, I wouldn't own it in a million years. It's proof that for every truly stupendous musical film, there's at least six films like this. Urgh.

*

Next: The Bible... In The Beginning. At least that's got PETER O'TOOLE

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